The work features found objects—fragments of broken roof material containing asbestos. These sharp-edged pieces are transformed into wind chimes, producing unexpectedly soft and melodic sounds. This contrast underscores the tension between the material's dangerous, industrial origins and the gentle soundscape located in an environment 200 km away from the civilization.
Cutting the silence is an act of disruption, a deliberate intervention into a space that feels untouched, remote, and forgotten.